Workflow Management

As demand for more complex projects increase, new cameras and formats are born every year and multiple cameras on the same project are here to stay.
I offer to manage all the workflow of your project from an end-to-end perspective. From camera settings to color space standardization across all post-production and VFX team. Delivering a consistent visual experience according to the best technical specifications that your project can deliver.

Special retouch or composition.

Film is a complicated process, sometimes projects are not perfect or needs of special compositions.
If your project needs of special retouches, special compositions or image fix, please don’t hesitate to ask.

Online-Editor and mastering

Mastering a film for delivery comes often with a huge list of specific requirements. Deliver a master file requires technical knowledge and the ability to bring all the pieces together.

From sound to image, and all that’s in between, everything has to the in the right place and according to your broadcasting demands.
I offer, as a part of my services, take care of all the final touches. I can prepare deliverables for a huge list of standards and specifications, so you don’t have to worry about delivery.

Feature Film Colorist

Being one of the most subtle and complex type of film, feature film often requires working very tight with the director and DP to achieve the final visual narrative of a film. This also means work from the very beginning of the production to create what the final look will be across all the process of the production and if your project requires it, an end-to-end colorist to help construct this visual narrative across shooting , VFX and final master.

Documentary Film Colorist

Reality has its own way of telling a story. Mix that sense of reality against the film narrative and create a reality of its own are crucial at the time of creating the immersion needed for a film to tell a history. Bring this process to the color grading and add it to the visual narrative is my goal at the time I work on what I consider to be my favorite type of film. Documentaries.

Commercial Film Colorist

The always evolving commercial industry, requires of the constant update on new and radical looks over the film grading process. I have the experience to bring the director, agencies and client perspective into a visual language across the image, giving birth to the feeling of what the brand is looking to put into the screen.